tabish irshad

"Salaam Bombay!" is a haunting yet achingly beautiful cinematic creation that does more than simply document the lives of Mumbai’s street children—it transports us into their raw, unvarnished world with a lyricism so poignant it verges on the poetic. Mira Nair, excavates the forgotten alleys of humanity with an unblinking gaze, presenting the metropolis as a space both mythic and merciless, where survival is forged in the fires of despair and innocence perennially hangs in the balance. The narrative follows Krishna, or "Chaipau," a boy thrust into the labyrinth of Mumbai’s red-light district. Here, we encounter the brutal caste system of poverty, a societal ghettoization that Franz Fanon might describe as a sort of existential purgatory—one which strips identity, demands resilience, and, paradoxically, teaches love and camaraderie in the most unexpected places. The film invokes what could be called a kind of "dirty realism," laying bare the psychological and physical shackles imposed by poverty. It pulls from the theory of ‘abjection’ as defined by Julia Kristeva, exposing the viewer to the emotional ambiguity and often visceral discomfort that pervades the lives of these young souls, trapped in the cyclical dispossession of childhood. Krishna’s journey becomes a microcosm of a much larger existential paradox, one where the desire for escape is constantly at odds with the grim tenacity of street life. His bonds with others—whether it’s the love he feels for Sola Saal, the camaraderie with fellow children, or even the kinship forged with addicts and outcasts—reveal a human connection that transcends the bleak confines of circumstance. This cinematic depiction invokes Albert Camus’ theory of the absurd, for in the harsh unpredictability of street life, one finds moments of beauty and hope that, however fleeting, suggest a resilience and defiance of spirit that is quintessentially human. The film’s message is not a conventional sermon on charity but a call to re-examine our own moral compass, our privileges, and our often callous indifference to the ‘othered’ in society. The characters remain etched in memory as specters of a world unseen, challenging viewers to look beyond the comfortable veneers of society and acknowledge the broken but indomitable humanity that persists in the shadows. It is a journey into a realm where innocence is continually eroded yet simultaneously cherished, an odyssey of survival and, in its deepest recesses, an unuttered demand for recognition. "Salaam Bombay!" distills the essence of human resilience, breaking and re-forging the viewer’s heart in tandem with the city’s pulse, a fevered rhythm of survival against impossible odds. In doing so, it whispers to the innermost recesses of our empathy, touching those inner cords that demand we see the world with fresh, unblinking eyes.

Ye Kya Bawasir Bana Diye Ho.🙄🙄🙄🙄🙄🙄🙄🙄🙄😖😖😖😖😖😖😖😖😖😖🤮🤮🤮🤮🤮🤮🤮

In this audacious cinematic endeavor, the narrative unflinchingly delves into the enigmatic realm of sexual awareness within the Indian milieu. An indelible commentary on a topic often relegated to hushed undertones, the film boldly steps forth. Pankaj Tripathi's virtuosity captivates as the torchbearer, skillfully navigating the intricacies of his role. However, the portrayal by Yami Gautam, though aesthetically pleasing, meanders amidst shallower waters. At its core, the opus resonates as an eloquent call-to-action, a visceral reminder of the societal lacuna that often festers unattended. The directorial prowess expertly weaves entertainment with enlightenment, thus harnessing cinema's potential for impact. A clarion declaration that reverberates, the film serves as an edifying exposé, illuminating the imperativeness of discourse on this veiled matter.

More drama less action. Disappointing.

In the realm of celluloid tales, where love often blooms and withers, "Sanam Teri Kasam" stands tall, akin to a solitary tree in the wintry landscape. This 2016 cinematic marvel, directed by Radhika Rao and Vinay Sapru, unfurls a bittersweet saga of hearts entangled in a web of emotions. With a touch of Frost's poetic sensibility, the film transcends the superficial and delves into the depths of human connection. Harshvardhan Rane and Mawra Hocane paint a vivid portrait of longing and vulnerability, their performances echoing through the corridors of the soul. Amidst the frozen landscape, the melodies of the film, like verses penned by a bard, stir the heartstrings. Each note, a brushstroke on a poetic canvas, evokes a sense of yearning and melancholy. "Sanam Teri Kasam" gracefully merges the beauty of Frost's verse with the visual medium, weaving a tender tapestry that lingers in the recesses of memory, much like Frost's own words etched in time.

Adipurush emerges as a dismal offering, a catastrophe in celluloid guise. With reckless abandon, it dares to besmirch the revered image of Lord Ram, a cherished beacon of our Indian heritage. Childhood memories, once sacrosanct, lie shattered in the wake of this tasteless endeavor. The abominable VFX serves as a cruel joke, a mockery of visual splendor. The cringeworthy dialogues, like poisoned arrows piercing the soul, leaving behind scars of linguistic agony. Where is the eloquence, the sublime Hindi that resonated in Ramanand Sagar's Ramayan? Alas, in this sorry tale, beauty yields to abhorrence, and reverence is but a fleeting illusion.

In the tumultuous realm of "Bloody Daddy," where Shahid Kapoor, Rajiv Khandelwal, Diana Penty, and Ronit Roy reign supreme, the veil of tranquility is torn asunder. This fast-paced action flick unfurls with unrelenting vigor, ensnaring the hearts and minds of its captivated audience. With an unwavering commitment to entertainment, "Bloody Daddy" transcends the boundaries of mundane existence, propelling us into a world teeming with gripping suspense and thrilling encounters. Shahid Kapoor's enigmatic portrayal commands attention, his every move a carefully choreographed symphony of intensity. Rajiv Khandelwal, a master of his craft, assumes his role with unparalleled finesse, leaving us spellbound by his sheer talent. Diana Penty's ethereal presence adds a layer of intrigue to the narrative, her eyes reflecting a profound inner turmoil that resonates with the viewer. And then there's Ronit Roy, a force to be reckoned with, who effortlessly weaves his magic, breathing life into his character and immersing us in a tumultuous whirlwind of emotions. As the story unfolds, the seamless fusion of impeccable acting, a resplendent background score, and breathtaking cinematography sweeps us away into a cinematic reverie. Each frame meticulously crafted, capturing the essence of every pulse-pounding moment. The resonating notes of the background score act as an invisible hand, guiding our emotions, heightening our senses, and intensifying our connection to the unfolding tale. "Bloody Daddy" lures us into a visceral journey, where action and intrigue intertwine, tugging at the strings of our imagination. It captures the essence of a good entertainer, leaving an indelible mark on our souls. This film delves into the darkest corners of the human psyche, unearthing raw emotions and unspoken desires. It dares us to confront the depths of our own complexities, while simultaneously providing an escape from the banality of reality. "Bloody Daddy" stands as a testament to the power of cinema, a tantalizing concoction of adrenaline, passion, and artistry. It leaves us breathless, yearning for more, and etches its name in the annals of memorable films. A journey well worth embarking upon, "Bloody Daddy" is an enigmatic gem, a feast for the senses that will leave a lasting impression upon all who dare to venture into its seductive embrace.

"Mulk: A Riveting Mirror Reflecting Social Realities" Mulk, released in 2018, is an exceptional cinematic masterpiece that delves into the depths of societal prejudices and challenges existing notions of identity, belonging, and religious harmony. Director Anubhav Sinha, known for his thought-provoking narratives, brilliantly captures the essence of a contemporary India grappling with divisive ideologies, sparking necessary conversations on the societal implications of such prejudices. The film centers around the life of a Muslim family residing in the tight-knit town of Varanasi. When their son becomes a victim of a terrorist attack, the family is pushed to the periphery of society, and their loyalty is questioned solely based on their religious identity. Mulk takes the audience on an emotional rollercoaster, highlighting the devastating consequences of communal bias, media sensationalism, and political opportunism. One of the most commendable aspects of Mulk is its honest portrayal of human emotions. Through powerful performances by Rishi Kapoor and Taapsee Pannu, the film successfully captures the vulnerability and pain experienced by the family as they fight for their dignity and innocence. Their journey becomes a universal tale of resilience, shedding light on the collective struggle faced by marginalized communities in a society plagued by deep-seated prejudice. The movie's strength lies in its ability to evoke introspection and challenge preconceived notions. By humanizing the Muslim characters and depicting their unwavering love for their country, Mulk dismantles stereotypes and portrays the complexity of identities. It compels viewers to confront their own biases, highlighting the urgent need for empathy, understanding, and the rejection of divisive narratives. Mulk is a relevant commentary on the current socio-political climate, particularly in a diverse country like India, where communal tensions often simmer beneath the surface. By exploring themes of religious intolerance and Islamophobia, the film confronts uncomfortable truths and prompts discussions on the consequences of divisive politics. It serves as a wake-up call for society, urging people to question their prejudices and strive for a more inclusive and harmonious coexistence. Anubhav Sinha's direction deserves special praise for his nuanced approach to storytelling. The narrative's pacing, supported by a gripping screenplay, ensures that every moment counts, immersing the audience in the emotional turmoil experienced by the characters. Sinha's craftsmanship in capturing the vividness of Varanasi's cultural milieu and his unflinching depiction of hard-hitting realities amplify the movie's impact. The film's success lies not only in its engaging storyline and stellar performances but also in its ability to initiate a broader dialogue on the social implications it presents. Mulk encourages viewers to reflect on their own biases and confront the prejudices prevalent in society. It serves as a call for unity, promoting the idea that we must rise above religious, cultural, and ethnic divisions to build a more inclusive world. In conclusion, Mulk is a cinematic gem that goes beyond mere entertainment, leaving an indelible mark on the viewer's conscience. By confronting social biases head-on and offering a powerful narrative, it stands as a testament to the transformative power of cinema. Mulk not only entertains but also challenges societal norms, making it a must-watch for those seeking thought-provoking cinema with profound social implications.

Go Goa Gone, a Bollywood movie often overlooked by audiences, is a hidden gem that deserves much more recognition. With its seamless blend of humor, horror, and adventure, this film delivers an enjoyable and unique cinematic experience. From the acting to the story and the music, Go Goa Gone stands out as a remarkable and underrated masterpiece. The acting in Go Goa Gone is nothing short of brilliant. The talented ensemble cast, including Saif Ali Khan, Kunal Khemu, and Vir Das, deliver stellar performances that perfectly capture the essence of their characters. Each actor brings their A-game, adding depth and authenticity to the narrative. Their chemistry and comic timing are commendable, keeping the audience entertained throughout the film. The story of Go Goa Gone is refreshingly original. It revolves around three friends who find themselves trapped on an isolated island infested with zombies. While the zombie genre has been explored extensively in Hollywood, Go Goa Gone brings a distinct Indian twist to it. The screenplay is well-crafted, combining humor, suspense, and thrilling action sequences. The narrative never loses momentum, keeping viewers engaged from start to finish. One aspect that elevates Go Goa Gone is its fantastic background score. The music complements the on-screen events perfectly, creating an immersive atmosphere. Whether it's the eerie tunes during zombie encounters or the foot-tapping beats during lighter moments, the soundtrack enhances the overall cinematic experience. Another highlight of Go Goa Gone is its legendary songs. The film features a memorable soundtrack that adds charm and energy to the story. From the catchy "Slowly Slowly" to the upbeat "Babaji Ki Booty," each song is a delightful addition to the film's narrative and has become popular among audiences. In conclusion, Go Goa Gone is an underrated gem in Bollywood that shouldn't be missed. With its great acting, well-chosen cast, engaging story, captivating background score, and legendary songs, it offers a unique cinematic experience. If you enjoy a mix of humor, horror, and adventure, this film is a must-watch. Don't let its underrated status fool you; Go Goa Gone is an absolute treat for movie lovers.