A journey through the lens of the current pontiff, the film nevertheless presents a superb contrast between emeritus and habitus. Anthony Hopkins’ physical, almost corporeal portrayal makes the Teutonic Benedict likeable and endearing, while Jonathan Pryce’s Francis is closer to the ground than what the esteemed position has required of pontiffs for two millennia. The movie also presents excellent arguments for both sides of the Catholic mainstream viewpoints. And makes a case for a modern interpretation on confession.
