Murali Sivaramakrishnan

A slow moving narrative. An intense drama.The ending is already prefigured in the beginning: tragic-- a cul-de-sac. What does it mean to reassemble the past heritage plundered and pillaged and reassembled elsewhere under the pretext of cultural heritage? Can it be brought back? Will it work towards building a cultural solidarity in a nation now fumbling in darkness and political instability? After all to whom does it all belong? The British museum is a repository of such innumerable stolen goods, from many nations.