HEL MORT

This series is simply unwatchable. I don't want to waste more time with a long, professional review. What's happening with Disney and Star Wars is obvious: it's the death of storytelling and the cinema that used to make us dream.

"Society of the Snow" is a breathtaking and poignant film recounting the harrowing true story of the Uruguayan rugby team's 1972 plane crash. Stranded in the Andes mountains for 72 grueling days, only 16 of the 45 passengers survived. This Netflix film powerfully portrays their struggle, blending beautiful cinematography with a deeply emotional narrative. The movie excels in its heart-wrenching depiction of the survivors' ordeal. The trials faced by the passengers, many of whom perished while hoping to see their loved ones one last time, are presented with authenticity and respect. The emotional weight of the story is amplified by stunning visuals that capture the stark beauty and deadly desolation of the Andes. A standout element of "Society of the Snow" is its music. The soundtrack’s bittersweet melodies evoke deep emotional responses, intensifying the viewer’s connection to the characters' pain and hope. The film also handles the more controversial aspects of the story, such as the survivors' resort to cannibalism, with sensitivity. This focus on the human will to survive and the bonds formed during the ordeal emphasizes the survivors' bravery and the friendships that helped them endure their unimaginable circumstances. "Society of the Snow" is not just a survival story; it’s a tribute to the resilience and strength of the human spirit. It serves as a reminder of a tragic historical event that many viewers may be unaware of. Praised for its realistic portrayal, it avoids the Hollywood gloss of earlier adaptations like "Alive" (1993), offering instead a more accurate and heartfelt depiction of the events. The performances are another highlight, with actors from Uruguay and Argentina delivering powerful portrayals of the real-life figures. Cameos by some of the actual survivors add an extra layer of authenticity and emotional depth. While the film's graphic nature may be seen as bleak, the overall reception has been overwhelmingly positive. "Society of the Snow" is an important and beautifully crafted piece that honors the memory of those who suffered and survived this tragic event. It’s a must-watch for its historical significance, emotional depth, and stunning filmmaking, inspiring viewers to appreciate the fragility and resilience of life.

A Movie You'll Never Forget "Forgotten" is a complex psychological drama from South Korea that will stay with you long after the credits roll. The film tells the gripping story of two brothers, one of whom is violently kidnapped by unknown assailants, only to reappear seemingly unharmed three weeks later. However, his brother becomes increasingly concerned by his sibling's unusual and erratic behavior, setting the stage for a plot filled with suspense and intrigue. From the very beginning, the narrative of "Forgotten" keeps the audience on edge. The storyline is masterfully crafted, with twist after twist unfolding in ways that are both unexpected and original. Unlike many thrillers where you can anticipate the next move, this film constantly defies expectations, making it a unique viewing experience. The myriad twists and turns are completely out of left field, keeping you guessing until the very end. The film's production values are outstanding, a hallmark of modern Korean cinema. The cinematography is visually striking, capturing the eerie and tense atmosphere that permeates the movie. The director does an excellent job of balancing psychological tension with moments of high-paced action. There are several chilling dream sequences that add to the film's unsettling tone, as well as frenetic chases that heighten the sense of urgency and danger. Character complexity is another strength of "Forgotten." The actors deliver powerful performances, particularly the two leads who portray the brothers. Their nuanced portrayals add depth to the story, making their emotional journey all the more compelling. As the mystery unravels, the layers of their relationship and the true nature of the events become increasingly clear, leading to a satisfying yet thought-provoking conclusion. Overall, "Forgotten" is by far one of the best mystery movies I have ever watched. Its combination of an unpredictable plot, high production values, and strong character development makes it a standout film in the genre. If you enjoy psychological thrillers that challenge your mind and keep you on the edge of your seat, this is a movie you simply cannot miss.

Ridley Scott's Gladiator stands as an unparalleled work of cinema. Its status is legendary, offering a cinematic journey that effortlessly lifts you from your seat, plunging you into an indescribable immersive experience. Each scene unfolds with a lifelike quality, creating one of the most captivating films in existence. It weaves a connection to the essence of life, death, and profound meanings, all set against the harsh backdrop of ancient Rome, infusing an additional layer of significance. The film transports its audience to a dreamlike yet historically authentic realm, a manifestation of pure poetry where the unforgettable soundtrack lingers in the recesses of memory. In terms of narrative simplicity, the plot and story arc maintain an unwavering straightforwardness—an approach embraced by both Scott and Russell Crowe. "What we do in life echoes in eternity," a powerful line that resonates emotionally, underlining the film's enduring impact. Crowe's portrayal of Maximus is not only aspirational for men but also alluring to women. As Maximus confronts life's challenges and emotional trials, the audience stands by him, urging him toward his revenge-filled destiny. Crowe's performance, rewarded with the Academy Award for Best Actor, is impeccable, capturing every nuance of pain with superb precision. Joaquin Phoenix delivers a preening villainy as Commodus, while Connie Nielsen's grace as Lucilla and Oliver Reed's dual performance as Proximo add spicy and superb dimensions. Richard Harris, Derek Jacobi, David Hemmings, and Djimon Hounso contribute outstanding performances. The dialogue is both literate and poetic, featuring speeches that have become iconic. Action permeates the film without compromising the development of well-rounded characters. The flaming arrows and bloodletting in the conflict in Germania set the stage with pulse-raising clarity, and the gladiator arena fights keep the audience on the edge of their seats. The recreation of the Battle of Carthage is a stunning piece of action sequence construction, leading to a finale that resonates with a resounding thunderclap, marking the culmination of two men's destinies. Gladiator stands as a true masterpiece. Maximus Decimus Meridius earns a resounding bravo. Bold as it may be, labeling Gladiator as one of the finest films of a generation is entirely justified. Every element aligns seamlessly, from the phenomenal storyline that captivates throughout the runtime to the incredible visuals, an epic masterpiece for both the eyes and the soul. The acting is top-notch, achieving the ultimate goal of moving the audience profoundly. In just a few words, Gladiator is amazing, incredible, simply flawless and absolutely immortal.

I caught this movie today, and let me tell you, it was hands down one of the most boring films I've ever seen. It was excruciatingly long, filled with endless, inane dialogue, and completely devoid of any action or interesting circumstances. It felt like some kind of self-indulgent documentary with famous actors thrown in for good measure. I honestly don't know how I made it through to the end. It's only famous because of the memes and the inflated hype generated by Americans who thought it was an action movie full of explotions. BORING, BORING, BORING! HEL MORT.

Sometimes, we come across a work of art that isn't primarily intended to make us feel good. Critics who disapprove of this film often discuss its bleakness and emphasize its lack of joy. However, what it truly represents is one of the most profound portrayals of a man burdened by guilt that you'll ever witness. Casey Affleck portrayal of a man haunted by the accidental deaths of his three children is truly remarkable. Some may argue that the characters, including his deceased brother's son, are unlikable. However, they stay true to themselves. Yes, he's a teenage womanizer, brimming with testosterone and self-assuredness, but should we alter him to please those who don't like him? These complexities set the stage for the challenges Affleck's character must confront after becoming his nephew's guardian. This film is a slice of realism, showcasing his struggles in the aftermath of his brother's death, which includes the responsibilities of arranging the funeral and dealing with legal matters. He's so deeply scarred that he requires someone to watch over him. This isn't a feel-good movie; it presents us with a deeply flawed individual who returns to a town where he's viewed as a murderer. "Manchester by the Sea" offers a realistic narrative with a tragic and somber storyline, providing no redemption for the lead character. The resolution may satisfy his beloved nephew, Patrick, but it leaves Lee, who can't forgive himself for the tragedy that befell his family due to his negligence, in perpetual torment. The direction, screenplay's use of flashbacks to elucidate Lee's actions, and the performances are all outstanding. Many viewers might have anticipated a more optimistic and uplifting conclusion, but the author chose to focus solely on the lead character's evolving attitude toward life, which may explain the abundance of negative reviews. HEL MORT

I adore "Ghost." It's a film that masterfully combines romance and glamour, sometimes even simultaneously. It skillfully melds sentimentality with the supernatural. The production values impress, with excellent special effects, costumes, lighting, sets, and cinematography. The soundtrack, particularly "Unchained Melody," is emotionally resonant and used effectively. The script is of high quality, featuring a compelling love-beyond-the-grave theme and an ending that proves sentimentality can be powerful. Jerry Zucker's direction shines. The performances are notable, with Patrick Swayze delivering one of his finest as the murdered banker attempting to warn his girlfriend. Demi Moore, though initially unremarkable, improves as the film progresses. However, it's Whoopi Goldberg who steals the show with an outstanding performance that seamlessly blends into the narrative. In summary, "Ghost" is an outstanding film with a compelling premise, well worth watching for Swayze and Goldberg. Jerry Zucker, known for directing comedies like "AIRPLANE!" and "TOP SECRET," successfully transitions to drama with this gentle romance, which has much to offer. Despite its abundant sentimentality and schmaltzy love scenes, the director handles them effectively. While Patrick Swayze and Demi Moore may not be considered the world's greatest actors, they efficiently portray their roles. The special effects, courtesy of Industrial Light & Magic, known for later big-budget hits like "TERMINATOR 2," stand out. Scenes with Swayze in ghost form, moving through doors and people, are exceptionally well done, as are heavenly scenes, especially in the final moments. Notably, the shadowy creatures that emerge from darkness to drag those who committed heinous sins in life to hell are impressive and chilling. With numerous action sequences, including a standout chase scene and an excellent subway ghost scene, "Ghost" offers a satisfying blend of romance, comedy, thriller, fantasy, and mystery. It caters to those who appreciate heartwarming stories. Its well-deserved Oscar wins further highlight its quality. HEL MORT

Reviewing a film like this objectively, free from the entanglements of its political context, can be quite challenging, but I'll give it my best shot. I see this film primarily as an exploration of a woman's psyche, burdened with secondhand grief and guilt. In this regard, it succeeds remarkably well. Helen Mirren's portrayal of anxiety, the intentionally disconcerting musical score, and director Guy Nattiv's masterful camera work collectively elevate what could have been a mundane story into a profound exploration of the psychological toll of war for those who issue orders leading soldiers to their doom. While some may find fault in the film's deliberate pacing and absence of a triumphant climax, I personally found its unfiltered honesty to be refreshing. Politics is inherently messy and fraught with mistakes, devoid of clear-cut victories. My main criticism of the movie lies in its rushed conclusion. It abruptly leaps forward in time, leaving the events feeling narratively unearned. This misstep taints an otherwise exceptional historical biopic. I've long been an admirer of Helen Mirren's work, spanning films like "The Fiendish Plot of Dr. Fu Manchu," "Excalibur," "The Long Good Friday," "2010: The Year We Make Contact," "The Mosquito Coast," and "The Cook, the Thief, His Wife, and Her Lover." Of course, her Oscar-winning turn in "The Queen" and nominations for "The Madness of King George," "Gosford Park," and "The Last Station" speak to her remarkable talent. It's evident that she might secure yet another nomination for her outstanding performance in the new movie "Golda." Transformed by makeup to resemble Golda Meir, her portrayal is both compelling and utterly convincing. Sharing the screen is Liev Schreiber, known for his roles in "The Painted Veil" and "Spotlight," who delivers a highly persuasive rendition of Henry Kissinger. The film chronicles Golda's struggle during the Yom Kippur War in 1973. It's an excellent cinematic experience, a testament to the power of exceptional performances. I wholeheartedly recommend this film to anyone interested in the subject matter or those who appreciate outstanding acting. HEL MORT

"The Exorcist" stands as an enduring landmark in the horror genre, captivating audiences and critics alike over the years. My appreciation for the horror genre has grown with time, and this film, directed by William Friedkin, has played a pivotal role in shaping my understanding of its power and potential. Beyond its reputation, which often includes references and parodies, "The Exorcist" continues to unnerve and unsettle me, even years after my initial viewing. One of the film's most striking aspects is its exceptional special effects, which have not only stood the test of time but remain impressive even by today's standards. These effects contribute significantly to the overall atmosphere of dread and horror, enhancing the viewer's immersion in the story. Furthermore, the sound design in "The Exorcist" is nothing short of marvelous. It complements the visuals perfectly, delivering numerous startling moments that resonate long after the credits roll. Cinematographically, the film is a work of art. The carefully composed shots and the eerie, haunting scenery contribute to the film's overall sense of foreboding and unease. It's a masterclass in visual storytelling that transcends its genre boundaries. What sets "The Exorcist" apart from many other horror films is its ability to deliver macabre and obscene manifestations of evil that continue to startle and disturb audiences to this day. William Friedkin's direction in this film represents one of the highlights of his career. He not only crafts genuine scares but also weaves them seamlessly into the film's allegorical religious themes, creating a multifaceted and deeply impactful viewing experience.The performances in "The Exorcist" are nothing short of outstanding. Linda Blair's portrayal of the possessed Regan is truly startling, showcasing her talent and dedication to the role. She is supported by a stellar cast, with Max Von Sydow and Ellen Burstyn delivering compelling performances that add depth and authenticity to the story. In conclusion, "The Exorcist" isn't just a fantastic film within the horror genre; it stands as a testament to the power of cinema itself. Its enduring ability to unsettle and terrify, combined with its technical excellence, masterful direction, and stellar performances, cements its place as a classic not only within its genre but in the broader world of film. It remains a must-see for anyone interested in experiencing a cinematic masterpiece that continues to haunt the collective imagination. HEL MORT

"Enemy Mine" unfolds in a futuristic world where humanity has shifted from internal conflicts to confrontations with an extraterrestrial species known as the Dracs. Dennis Quaid assumes the role of Davidge, a combat pilot who crash-lands on a desolate planet while locked in combat with a Drac (portrayed by Louis Gossett, Jr.). Initially harboring hostility and mistrust towards each other, the two adversaries eventually recognize the imperative need to cooperate for their mutual survival, ultimately evolving into friends. Though regrettably met with box office disappointment during its initial release, this endearing and affable film can be viewed as an 1980s science fiction reinterpretation of the 1968 classic "Hell in the Pacific." Its underlying themes resonate clearly: an appeal for the acknowledgment and celebration of our individual differences, discouraging hasty judgments, and promoting mutual understanding. The narrative functions as an allegory for combating bigotry and charting the course toward enlightenment. It occasionally veers into sentimentality, yet consistently offers solid entertainment by deftly manipulating emotions and delivering exhilarating moments. Quaid and Gossett deliver exceptional performances, reuniting two years after their collaboration in "Jaws 3-D." Their on-screen chemistry is impeccable, infusing their scenes with alternating tension, poignancy, and humor. The film's lighter moments, including the Drac (affectionately nicknamed "Jerry" by Davidge) mistakenly attributing intellectual significance to Mickey Mouse, add a touch of whimsy. Wolfgang Petersen's direction is commendable, following his successful North American debut with "The NeverEnding Story." However, it is the remarkable work of production designer, art director, and matte artist Rolf Zehetbauer, along with makeup effects creator Chris Walas, that truly warrants acknowledgment. Zehetbauer crafts an astonishing visual landscape for the production, with filming taking place in German studios and the Canary Islands, convincingly immersing the audience in an alien world. Walas' reptilian-like makeup effects stand out as highly impressive. Enhanced by the soaring musical score by Maurice Jarre, a characteristically enjoyable supporting performance by renowned screen antagonist Brion James, and the inclusion of two captivating creature species (predator and prey), this film offers a captivating cinematic experience. While it may have initially struggled to find its audience, "Enemy Mine" later found appreciation on video platforms. HEL MORT