Wicked (2024) is a prime example of style over substance, where an overblown runtime, shallow virtue signaling, and lackluster performances ultimately overshadow its source material. The film, based on the popular Broadway musical, had all the ingredients to be a magical experience, yet somehow manages to fumble them all.
First, let’s talk about the runtime. At over two and a half hours, the movie feels like it’s constantly dragging its feet. For a story about witches in a fantastical land, you’d expect a bit more magic in the pacing, but instead, you’re treated to long stretches of forced exposition and unnecessary musical numbers that feel more like filler than meaningful storytelling. By the time the credits roll, you’ll feel like you’ve been sitting in the theater for an eternity.
Then there’s the acting, which is, to put it bluntly, disappointing. While the leads, Elphaba (played by Cynthia Erivo) and Glinda (Ariana Grande), are talented performers in their own right, their portrayals here lack the depth and charm needed to make these iconic characters truly memorable. Erivo, who should’ve been a powerhouse in the role of Elphaba, delivers a performance that often feels disconnected, and Grande, while undoubtedly a vocal talent, struggles to embody the whimsy and warmth of Glinda. The chemistry between the two leads is notably flat, making the emotional beats of the film fall utterly short.
As for the film’s politics, it’s impossible to ignore the constant undercurrent of virtue signaling. The movie frequently wades into heavy-handed social commentary, particularly around themes of “otherness” and empowerment. While these are valid themes to explore, the film’s approach feels forced and preachy, detracting from the enjoyment rather than adding depth. It’s as though the filmmakers are more concerned with checking boxes on a social justice agenda than with telling a cohesive and engaging story.
All of this is wrapped up in a glossy, overly polished package that’s more concerned with looking impressive than delivering anything meaningful. The visual effects, though competent, do little to enhance a story that’s already bogged down by its own bloated ambitions. There’s no denying the spectacle, but spectacle alone does not a great movie make.
In the end, Wicked is a frustratingly long and preachy affair that squanders its potential. Instead of being a captivating retelling of a beloved tale, it becomes a frustrating exercise in style and ideology, with hollow performances and an exhausting runtime that makes the whole thing feel more like a chore than a cinematic experience. If you’re hoping for the magic and wonder that the musical promised, you’re likely to be disappointed.