Mirza Shafqat

Very bad movies masquerading as a blockbuster!! Style Over Substance: "Salaar" tries to dazzle with its style, but it's all a glossy facade with no real depth. The movie prioritizes visual flare over a meaningful narrative, leaving the audience with a hollow experience. It's a sequence of style-driven scenes devoid of substance, making it a flashy yet ultimately forgettable experience. Rapid Scene Transitions: The film is a relentless visual onslaught, with each frame fleeting before you can even blink. This hyperactive editing leaves no room for the story or characters to breathe, much less for the audience to connect or immerse themselves in the narrative. It's disorienting, detracting from whatever semblance of plot there might have been. Over-Exaggerated Acting: Every character in "Salaar" seems to be in a constant state of overdrive, with expressions and dialogues pushed to an extreme. Subtlety is thrown out the window, replaced by a barrage of over-the-top performances. This exaggerated approach strips away any genuine emotion, leaving a caricature of drama and intensity. Volume and Dialogue Delivery: The film is an auditory assault. No one seems capable of normal conversation; every line is delivered with an unnecessary shout or dramatic whisper. This constant high volume and dramatic delivery make even potentially impactful moments feel forced and inauthentic. Direction and Storytelling: It appears that the director's focus was on crafting visually stunning elevation scenes first, with the story taking a backseat. The result is a fragmented narrative, lacking in originality and creativity. The film feels like a patchwork of grand scenes, missing a compelling or coherent storyline. Characterization of Prabhas: Prabhas, with his commanding presence, is reduced to a mere figure of brute strength. His character lacks depth, rarely speaking or showing intellectual prowess, and is mostly seen being directed by others. It's a waste of his talent and a disservice to the character, who could have been more than just muscle. Exploitation of Fan Expectations: "Salaar" feels like an opportunistic venture, designed to exploit the fans' loyalty and expectations with minimal effort or innovation. It banks on the audience's attachment to the star and their love for high-octane cinema but fails to deliver a meaningful or engaging film experience. The Dreaded Sequel: The announcement of a sequel feels like a looming threat rather than a beacon of hope. If the first part is anything to go by, audiences might brace themselves for another round of the same formulaic approach. It's disheartening, especially when there's so much potential for storytelling in cinema, and audiences certainly deserve better. Producers need to stop seeing fans as mere cash cows. The trend of milking audiences for money without offering substantial content is disheartening and underestimates the audience's desire for quality storytelling. Films like "Salaar" should be a wake-up call to the industry to prioritize integrity and creativity over easy profits. Audiences deserve respect and films that engage, inspire, and entertain, not just sequels and flashy scenes strung together with little thought. It's time producers commit to higher standards and truly value their audience's support and intelligence.

Just Couple of Scenes are funny otherwise Garbage.

Never seen a more overhyped show than this.

Gadar 2 is an average Movie. 1/10 for Gadar 2.

Totally Garbage. This movie is for Uneducated People who just like Violence.