Luis A Wetzler

The film is known as Little Chaos but really is a wonderful one; perhaps one of the best with Kate Winslet. Her character as André Le Notre Jr in times of King Louis XIV is fantastic. If you have the chance to find this movie in any of the private channels don’t miss it. From the script, to the costumes, direction and actors is one of the best since Titanic. The recreation of the late XVII Century time is just perfect. It’s a plus to see this film. A Little Chaos is a hidden gem! The acting is superb. The storyline is well thought out and presented crisply, all while carrying a strong yet damaged female character as lead, played by Kate Winslet. Alan Rickman creates a rich, endearing, and somewhat quirky portrayal of the French King, Louis XIV who it seems impossible not to adore. Sabine De Barra's (Winslet) project master, played by Matthias Schoenaerts, is an endearing, warm, and a bit lost spirit who is unaware he is in need of regaining the spark of life. While I'm only mentioning these few of the characters, they are all noteworthy and make up a rich tapestry that brings this historical tale to a peacefilled, heartwarming, and exquisite climax. So glad I stumbled upon it while browsing Netflix.

Was à very funny film with great English actresses and actors, few from the USA and others Italians. Was shoot in San Giminiano South of Florence, which is an old medieval town with exceptional buildings. The script, direction and actors were all exceptional. A grand châpeau to this lovely film, with lots of good taste and charm

Horrendous script, worst acting, bad direction, nothing can be rescued from this third class film. I am not going to waist more time, so here comes my conclusion “final pont” To the actors, director and the entire crew, next time use your knowledge just to make a good film and forget about this trash

Excellent film based on a great script with a wonderful direction Lasse Hallström, a group of wonderful actors and actresses Chaning Tatum perhaps best role in a film, the lovely Amanda Seyfried assumed her character with a great deal of professionalism. I saw it twice and I love these kind of films with a touch of tragedy and lots of romanticism. Dear John deserves to have much better reviews than these ones so absurd. A great châpeau to all the crew, direction, writer and acting

In my family four of our great uncles lost their lives in a horrendous war, that was started by the so-called allies; the damn French government had a deep hate towards Imperial Germany and the Habsburg Dual Monarchy of Austria-Hungary. Both monarchies paid a heavy price because in the end from millions of innocent civilians and soldiers, those who had lost the most were Germans and Austro Hungarians. The script is magnificent but it lacks fairness. Erich Maria Remarque was the author of the book, very little from this wonderful book was showed in this film. In Latin they say “Brevitatis Causa”, because at the end was necessary to be brief. Thibault de Montalembert assumed the role of the extremely cruel and anti German as anti Austrian General Ferdinand Foch very well. As Daniel Brühl and Felix Kammerer (Paul) deserved both to be nominated as the best actor and he wasn’t. All the young German actors were exceptional in their roles as soldiers and officers during this First World War, which opened the gates of hell for a new and more destructive war just twenty years after the end of the previous conflict. Which obviously by far was worst than the one in a still monarchical Europe, with the exception of France. The Emperors were replaced by tyrannical and perverse ideologies: Communism first and Nazi fifteen years later. Stalin and Hitler signed an absurd and perverse agreement to invade Poland both at the same time. England and France betrayed the Poles, when they started the war only against the Nazi regime in Germany but never to Soviet Russia. Finland and the Baltic nations paid the price more or less at the same time of the German invasion to Poland. Back to the film, my congratulations to everybody; at least had demonstrated that the Germans weren’t barbarians in any case no more than the French army and the Brits as well. This film is a master piece of art, in spite of the terrible subject, which is a horrendous War The film, which was commissioned by Netflix and shown on the streaming platform a month after its cinematic release, could in March become the first feature-length German production to win an Oscar since 2007’s The Lives of Others, accentuating a widening appeal of non-English language cinema. Yet upon its release in Germany the first world war drama has been at the receiving end of a critical drubbing, with critics complaining that it turns a beloved literary classic into a spectacle “horny for an Oscar”, and military historians bemoaning its “black-and-white” historical inaccuracies.

EVERYTHING IS DISGUSTING AND REPUGNANT, the worst film that I saw in Amazon Prime movies. Horrendous script, totally porno, even the actors assumed characters of pervert people. Nothing can be save from this “film” is vomitive. The actors, British well known are a true disaster, they represent roles of a terrible cruelty. The script is simply disgusting and of a terrible bad taste. Michael Mohan’s new film The Voyeurs has come not a moment too soon, just in time to quench us with a sorely needed throwback to the heyday of skin and secrecy. Wielding a nasty cunning and just the right amount of irony, he sets up a playful take on Rear Window for the age of nude leaks that lays bare the roiling carnal subtext of Hitchcock’s masterpiece. A franker articulation of the titillatingly unethical desires that crop up while peeping doesn’t mean compromising on subtlety, however. Mohan applies meaningful nuance to the sequences that might seem like they just want to get our blood pumping, aware that people reveal their truest selves in details like the positions they choose, their body language, what pushes them over the brink of orgasm. Here, sex is not a writer’s device but a real thing shared between characters that behave like real people. Better still, he’s not timid about pleasure for its own sake. He wants us to watch, at our own peril.

The film starts out with a near-miss between Jack (Sam Claflin, his worst character ever, horrendous acting and Dina (Olivia Munn), a goodbye that should have ended with a kiss, but fate had other ideas, and three years later they meet again at the Italian wedding of Jack’s sister Hayley (Eleanor Tomlinson, an excellent actress playing a ridiculous role) As a Judi Dench-sounding narrator tells us, romance can be affected by the slightest of deviation within our daily lives and at a wedding, if place settings were to be moved around, the course of true love could go from running smoothly to not running at all. And so writer-director Dean Craig plays musical chairs with “the English table” – Jack, Dina, Jack’s “nightmare ex” Amanda (Freida Pinto) and her insecure new boyfriend Chaz (Allan Mustafa), boring kilt-wearing non-Scot Sidney (Tim Key), intense Rebecca (Aisling Bea), wannabe actor and “man” of honour Bryan (Joel Fry) and Marc (Jack Farthing), an uninvited coked-up former fling of the bride who threatens to ruin the whole day. We see their chaotic escapades play out before then rewinding to see what could also have happened if they’d been seated differently. Hilarity should ensue either way except that it doesn’t, replaced with the odd smirk along the way instead. My great disappointment has been Sam Claflin, perhaps one of the best English actors of our time) assuming such absurd character, which is quite crystal clear that the writer and the director were responsibles for this complète disaster

Let’s say that Suits has been the best series of lawyers that I had watched in television. With a magnificent script, great actors such as Gabriel Macht, Patrick J Adams, Rick Hoffman, Sarah Rafferty, Kate Heigl, Meghan Marikle, the today Duchess of Sussex and dozens of others. Love how they had filmed inside the Big Apple. We enjoyed not only the cast and the story, what was fantastic were those in charge to make Manhattan a unique place to see and remember always. Everything in “Suits” is almost perfect, everybody must watch this exceptional show.

It’s a magnificent film, with the great Russel Crowe. Excellent and sad story, a father who after his wife died, he travelled to Turkey, his goal was to know about what happened with his three sons that joined the Australian army to fight against the Ottoman Empire during WW1. Two of his sons perished in the tragic battle of Gallipoli; where thousands of Aussies perished due to the blindness and idiocy of the British High Command. Most of the soldiers who died were Australians. This battle was pure madness and a complete suicide. Crowe started looking for his sons and at the end he found the eldest one. Great actors, a perfect script, with an exception, it’s pure Turkish propaganda. Their government murdered 2,4 millions Armenians, Greeks, Catholic Assyrian and other people under the Ottoman tyranny. Nevertheless, forgetting these history horrors. The work of the actors was excellent. Crowe as usual brilliant and unique.

This is one of the most brilliant thrillers that I had watched on television. A mix of spies, police, international criminals, with a fantastic script and an excellent direction. The actors chosen are great as well. Blacklist is a must that everybody in spite violence and some shocking scenes should watch the entire series or show, do not miss it. Thanks God the director is a very professional one and not a disastrous filmmaker such as Ryan Murphy, who is always confusing reality with fantasy...or wishful thinking.