Yearim Leslie Yi

This movie seemed to have potential, but it completely squandered it by going absolutely nowhere. It drags on and gets repetitive way before the one-hour mark, making it an absolute chore to sit through. Also there are too many weird scenes and unnecessary sexualization of his teenager years—it's distasteful, uncomfortable, and downright distracting from whatever half-baked storyline they were trying to push. Nothing actually happens in this movie; it's just a pretentious mess that thinks throwing in famous (and overused) classical pieces makes it "artistic." As a classical musician, I found it laughably desperate. This was painful to watch. Avoid at all costs.

Cinematic journey that ultimately leads nowhere. The characters are a collection of unlikeable individuals, making it difficult to empathize or connect with any of them. Needless to say the horrible song on repeat and the awful piano piece that the son practices and yet does not improve. It's baffling how this film managed to garner any awards.

"Perfect Days" initially felt unfamiliar, and the first 30 minutes may seem slow. However, as the story unfolds in its four parts, it gains momentum, particularly in the latter half, where it truly shines. Despite its slow start, I recommend sticking with it to appreciate its full breadth. It bears resemblance to glorified "Get Ready With Me" but elevates the experience with beautiful nuances that prompt introspection. Give it a chance, and you'll find yourself reflecting on its themes long after the credits roll.

While I haven't read the manga, I found it difficult to fully engage with the TV show due to my perception of the female lead, Camille. Her overly emotional, short tempered portrayal detracted from my enjoyment. Camille was just so unlikeable. Issei, the male lead's character was at least well behaved though felt a little flat. Lastly, the frequent focus on wine may not appeal to all viewers. While the show had its moments, it ultimately fell short as drama and information in my opinion.