VAN Tasi

Conclave isn’t just a bad movie—it’s a deliberate attempt to demoralize Christians and erode faith in the Church while reinforcing radical leftist views in society. Under the guise of a "thriller," it twists the sacred process of electing a pope into a corrupt political game, portraying the Church as nothing more than a power-hungry institution. But the real agenda is clear: the final "shocking" twist is meant to push modernist gender ideology onto the Church, as if tradition and doctrine are just outdated obstacles to "progress." It’s a blatant attack on the faith, subtly reinforcing the idea that Catholic teachings should be discarded in favour of secular, leftist ideals. Ask yourself—would Hollywood ever dare make a film portraying feminism, LGBTQ ideology, or progressive movements in such a negative light, even if it were "just for fiction"? But when it comes to Christianity, the media never misses a chance to mock and subvert it. This isn’t entertainment—it’s propaganda. And Christians should stop supporting films that deliberately undermine their faith. If you care about truth and respect for the Church, give this one a pass

AOT reflects a period in cinematography when stories were crafted to align with the rapid evolution of societal values. However, these changes progressed too quickly for universal acceptance, often facing rejection. Initially, it felt as though everyone was on board, but societal transformation doesn't occur uniformly or effortlessly. It’s fascinating to consider how people in the distant future might view our era. They might characterize it as the time humanity shifted from worshiping deities to idolizing the individual. Yet, society struggled to digest such a massive shift, leading to backlash (Trump 2025). The utopian ideals—egalitarianism, victimization awareness, empathy, acceptance of femininity, and the rise of strong women—seemed like a blink lasting only from about 2017 to 2024. As for the characters, I found them unrelatable, except for the girls. The male characters who survived until the end came across as weak and unpleasant. I didn’t enjoy the story either. While it aligns with what many might desire during a time of "human deification," it lacked depth. No true hero emerged, and the narrative felt flat in its attempt to portray everyone as equal. That approach diminished its appeal. The only aspect I genuinely appreciated was how the story was told and the quality of its graphics.

On peut faire des films qui respectent la représentativité des femmes et des minorités sans insulter et être insollent envers les hommes et les hétéros. Franchement! Je commence à détester ces genres de films où je me sens chaque insulté parce que je suis homme. Et puis les histoires qui parlent des génies ne collent pas forcément avec des personnages axés sur leurs orientations sexuelles. Ce film est une m****.