It’s difficult to explain to complete strangers how we have certain extreme hobbies or collections, but I’ll try. Im63 years old now , and like most my age, I first heard Bowie as a result of Space Oddity being used as coverage for the moon landing in ‘69. I was only 7, but I loved it. Far from it being his major breakthrough, he disappeared into his own artsy clique writing folk rock for a very small few followers.
I next heard him reciting the terrifying ‘future legend’ on Diamond Dogs, that was it. I’ll get to this book soon, I promise. I’ve bought every official album, on every platform, including Heroes on an imported DAT , and someone’s pirated collection on mini disks.
There…my credentials. I’m a fully paid up disciple of the Bowie family.
Books filling shelves of every size and quality, a cool 17 unauthorised biographies , and varying content books on his art, clothes, periods and eras.
So to the Nicholas Pegg book.
Are you a real fan? Because if you want to know the name of the pub in Warrington he played a gig in 1967 , how much he was paid, what the set list was… then that’s in here. So is every advert he acted in, every mime performance, stage play, support act he joined, college hall of 7 audience members…all here. As is the crew and set designers of Glass Spider, Serious Moonlight and 1980 floor show.
If you aren’t looking for how many times he farted in bed on the 16th November 1972, then you can luxuriate in the richly written story behind every album, every song he wrote.
Nick Pegg had a truly unique relationship with Bowie. They weren’t buddies, but every updated edition …he’d send Bowie a signed copy, and Bowie always replied with “ incredible body of work Nick, amazing… even if most of it never happened” this was his gentle ribbing of Pegg because Bowie admitted it was definitive even if it wasn’t his own words.
If you haven’t got this? Shame on you!