Erick Godoy

As a longtime fan of Dragon Age since Origins, I came into The Veil Guard with high hopes for another escape into a world of magic, dragons, and complex storytelling. Unfortunately, my experience was overshadowed by an approach to inclusivity that felt forced and overbearing, pulling me out of the immersion. While I appreciate diversity and am all for inclusive representation, this game went overboard. It felt less like a fantasy world and more like a vehicle for a narrow, American perspective on social issues. In past games, Dragon Age had skillfully woven inclusivity into its storylines, giving players the freedom to explore different backgrounds, perspectives, and relationships. But here, the representation felt one-dimensional and almost stereotypical. It wasn’t about creating a world that’s naturally diverse but instead about pushing a specific viewpoint, one that doesn’t necessarily resonate with every gay person or anyone in general who values a more balanced approach to inclusivity. This approach detracted from what I loved most about the series: the freedom to make personal choices and shape a unique journey. Moreover, the storytelling itself left a lot to be desired. The dialogue choices, which once allowed for real player agency, felt limited and repetitive. Rather than exploring a world of nuanced decisions and meaningful consequences, the game seemed to funnel players into predetermined conclusions, making it feel more like following a script than carving out a personal path. Overall, Dragon Age: The Veil Guard lacked the magic and open-ended possibilities that once defined the series. It felt more like a message-driven experience than a captivating story of adventure, leaving little room for personal connection or true escape. For fans seeking the depth and wonder of previous Dragon Age entries, this one may disappoint.