Rohan Pashine

Third Class - Pathetic Bakwaas - Ghatiya

Thama: A Bloodless, Joyless Cinematic Misstep ⭐⭐ (2/5 Stars) Thama arrives with little fanfare and leaves with even less impact. This film is, regrettably, a below-average watch that fails to justify a trip to the big screen, proving to be a genuine waste of both money and time. The primary issue plaguing Thama is its utterly lifeless execution. The narrative moves at a glacial pace, constantly faltering and failing to establish any kind of engaging rhythm or grip. Promises of a thrilling experience are quickly dashed, as the film delivers neither genuine suspense nor effective comedy. The result is a slow, monotonous watch that feels directionless and uninspired from start to finish. Further compounding the disappointment is the weak attempt at world-building. The supposedly unique "universe" hinted at feels flimsy and underdeveloped. More egregious is the handling of the central premise: the concept of the vampire is, quite frankly, totally ruined by the production. Instead of delivering a fresh or compelling take on the mythical creature, the film offers a diluted, lackluster interpretation that strips the genre of its inherent intrigue and darkness. The performances and characters also fall flat. The entire cast, filled with promising names, is criminally wasted in roles devoid of substance. Neither the acting nor the dialogue manages to create any discernible impact, leaving the viewer completely indifferent to the fate or motivations of the people on screen. When a film fails to utilize its talent effectively, it highlights a fundamental flaw in the writing and direction. In conclusion, Thama is a profound disappointment. It is neither thrilling nor funny, nor is it engaging enough to justify the runtime. If you are looking for a gripping cinematic experience, look elsewhere. This is one film best left unwatched. Verdict: Slow, unsatisfying, and a complete waste of potential.

Kantara (2022) Review: A Disappointing Village Tale Kantara arrived with substantial pre-release buzz, but in reality, it feels significantly overhyped. The film attempts to deliver a deep cultural narrative, yet the execution struggles, ultimately providing an underwhelming experience. The core narrative is a relatively simple village story that suffers from a distinct lack of momentum. It moves at a very slow clip, failing to deliver the promised pace and thrill. This lack of a strong, natural direction appears to necessitate a deliberately twisted climax. This final, convoluted act feels unearned—an artificial attempt to salvage a story that was otherwise going nowhere. The supporting elements also fall short. The acting is only average, and the film provides negligible humor, making the viewing rather dry. Similarly, the action scenes are unremarkable and not compelling enough for discussion. Ultimately, Kantara is a one-time watch movie best suited for viewing at home. It simply doesn't justify the effort or cost of an out-of-home experience. Do you agree that the film's climax felt forced?

Mr. Perfectionist - Only Perfect in copying 😭 in the name of Official Adaptation.... Why bollywood don't come with original content 🙏

𝗥𝗮𝘁𝗶𝗻𝗴: ★★½☆☆ (𝟮.𝟱 𝗼𝘂𝘁 𝗼𝗳 𝟱) 𝗜 𝗴𝗮𝘃𝗲 𝗶𝘁 𝟯 𝘀𝘁𝗮𝗿𝘀, 𝗼𝗻𝗹𝘆 𝗯𝗲𝗰𝗮𝘂𝘀𝗲 𝘁𝗵𝗲𝗿𝗲’𝘀 𝗻𝗼 𝟮.𝟱-𝘀𝘁𝗮𝗿 𝗼𝗽𝘁𝗶𝗼𝗻. Let’s get straight to it — Fateh is a patchwork of better films, a cocktail of international action-thrillers that Bollywood tried to pass off as its own. Sadly, it fails to stand on its own feet. The core plot of Fateh is blatantly lifted from Jason Statham’s The Beekeeper. If that wasn't enough, the rest of the movie borrows shamelessly from the Equalizer series — right from the storyline to specific dialogues, action setups, and even the iconic OCD-driven methods of Denzel Washington’s character, Robert McCall. It doesn’t stop there — the slick action style reeks of John Wick, while certain surveillance and cybercrime scenes feel directly pulled from Untraceable. Sonu Sood, who we all admire for his off-screen humanitarian work, seems miscast in this stitched-up vigilante role. He tries hard — too hard — to emulate McCall’s calm-yet-deadly aura, but it comes across more like mimicry than performance. The famous “room-killing” sequences and the OCD-timer moments? They don’t feel earned; they feel copied and pasted. The biggest problem? *Fateh* is not an official remake of any of these films. So instead of homage or inspiration, it ends up feeling like cinematic plagiarism. For those who haven’t explored international cinema, the movie might seem slick and engaging. But for real movie lovers — the ones who appreciate originality, or at the very least, thoughtful adaptation — this film is a disappointment. I gave it 3 stars, only because there’s no 2.5-star option. The half-star grace is for the effort and Sonu Sood’s good intentions as a public figure. But Bollywood needs to wake up. Watch Kishkinda Kaandam and learn how to create something fresh, rooted, and yet globally appealing. #moviereview #fateh #sonusood #critics

I really enjoyed "The Intern"; it's a warm and feel-good movie that explores the importance of family and the value of experience. The film stars Robert De Niro as a senior intern who brings a wealth of knowledge to a young startup led by Anne Hathaway's character. What I loved most is how it highlights the significance of family connections and how they shape our lives. The relationship between the characters shows that respecting and learning from older adults can truly enrich our experiences, both personally and professionally. Overall, "The Intern" is a charming reminder that age shouldn’t limit our ability to learn and grow. It's a lighthearted film that makes you think about the importance of family and the wisdom that comes with experience.

This movie is a decent watch with some elements of a thriller, but it falls short in a few key areas. While the plot has moments of suspense, it often feels like something is missing. The pacing is a bit off, and it struggles to fully engage the audience, which can make it difficult to stay invested. At times, the storyline becomes predictable, taking away from the tension that a good thriller should maintain. The climax, unfortunately, doesn't deliver the impact you might hope for, leaving the conclusion feeling somewhat underwhelming. While the movie has its moments and can be enjoyed in your free time, it doesn't fully commit to being either a suspenseful thriller or something more dynamic. Overall, it's an above-average film but not one that leaves a lasting impression.

This movie is an absolute masterpiece that keeps you on the edge of your seat from start to finish. The storytelling is exceptional, with a plot that unfolds in the most captivating way, leading to a climax that will leave you utterly stunned. It's been a while since I've experienced such a gripping suspense thriller, and this one truly delivers in every aspect. The twists and turns are unpredictable, making it a must-watch for any fan of the genre. Truly, a cinematic experience that shouldn't be missed

Wonderful movie must watch, But after its first part Sunny, Vikrant, Tapsee amazing performance Loved the suspense thriller after a long time

Salaar is a three-hour ordeal, marked by its frustratingly repetitive first half with numerous unnecessary entries of Prabhas. The second half descends into a confusing mess where characters are forgettable at best. The entire film is shrouded in darkness, with actions that are both deliberate and illogical. It's glaringly evident throughout the movie that Khansar is portrayed as a land of terrorists. Prabhas, unfortunately, delivers a performance characterized by a singular expression or often none at all. Following Adipurush, this film adds to his streak of disappointing ventures. If anyone finds merit in this movie, it perhaps indicates a disregard for coherent storytelling and logical consistency. Prabhas, a multimillionaire with a string of flops—a sad irony indeed. 𝐅𝐢𝐧𝐚𝐥𝐥𝐲, 𝐒𝐚𝐥𝐚𝐚𝐫 𝐢𝐬 𝐚𝐧 𝐨𝐯𝐞𝐫𝐡𝐲𝐩𝐞𝐝, 𝐢𝐥𝐥𝐨𝐠𝐢𝐜𝐚𝐥, 𝐝𝐚𝐫𝐤, 𝐥𝐞𝐧𝐠𝐭𝐡𝐲, 𝐚𝐧𝐝 𝐛𝐨𝐫𝐢𝐧𝐠 𝐦𝐨𝐯𝐢𝐞. 𝐈𝐭 𝐥𝐞𝐚𝐯𝐞𝐬 𝐚𝐮𝐝𝐢𝐞𝐧𝐜𝐞𝐬 𝐮𝐧𝐬𝐚𝐭𝐢𝐬𝐟𝐢𝐞𝐝, 𝐥𝐚𝐜𝐤𝐢𝐧𝐠 𝐝𝐞𝐩𝐭𝐡, 𝐚𝐧𝐝 𝐟𝐚𝐢𝐥𝐬 𝐭𝐨 𝐞𝐧𝐠𝐚𝐠𝐞 𝐨𝐧 𝐚𝐧 𝐞𝐦𝐨𝐭𝐢𝐨𝐧𝐚𝐥 𝐨𝐫 𝐢𝐧𝐭𝐞𝐥𝐥𝐞𝐜𝐭𝐮𝐚𝐥 𝐥𝐞𝐯𝐞𝐥.