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The movie lives up to its name, a no-holds-barred comical parody of an “alpha” man. No character build-up, no rhyme or reason for father-son love-hate relationship, ridiculous wigs on Ranbir Kapoor, silly romantic scenes in a plane, infantile sex talk… it’s all too much to take any of it seriously. People have been debating about misogyny portrayed but those debates are unwarranted because this entire movie makes no sense to deserve any serious discussions of its themes. The only theme is a man angry over… what exactly?!? Wanting his father’s approval by burning the world down? Ranbir Singh and his ridiculous wigs come in two flavors; angry or raging. Whoever plays his wife could have been replaced with a more feisty actress who could actually speak Hindi. Ranbir deserved an actress who could match his screen presence. Movie could easily have been cut down to 2 hours.

It projects a promise of a disturbing parable for a world driven by ambition and greed but instead underdelivers, not only diverging from the original promise but also relying on highly polished spookiness and a kooky story of immortality and purity, a eugenics experiment gone nuts, literally.

An easy-watch doc about users, losers, misfits, opportunists, deadbeats, libertarians, and just plain American wackos and an accurate representation of a people in the “greatest” country on earth who have lost their way in a culture that values clicks and money more than community or self-worth. Nothing good would come out of being friends with any of these folks featured in the doc. However the doc does do a good job of raising expectations only to dash them, just like the way it happened to the people involved in this real-life attempt to make a name for themselves.

Just plain silly. So many plot holes.

A rather amusing dark comedy satire skewering the wealthiest amongst us. The movie has a wink-wink attitude about it and does not take itself seriously which makes for a fun viewing. That is not to say it shys away from graphic brutality. There are some well placed one-liners as well as actors who seem to be having a good time. A bride has just got married into a wealthier-than-god family with a “dark” past that has some pretty bizarre family rituals whenever a new member joins the family. And if you have seen the trailer you know what this particular bride is about to face. So don’t hide from this movie, seek it 😉

Satire on Gen-Z urban culture. Think “trigger”,”safe space”,”enabler” mixed with blood… add in a bit of “girl power gone wrong”. Kooky, dorky, A for concept, C for execution.

Waste of time. I don’t know how the book is but the Netflix series is meh! The series is essentially a high society murder mystery set in Hampton-like enclave with a police procedural to boot, that keeps going in circles, revealing how shitty every character is, throws out several red-herrings to “shock” the audience and when it does land, does not generate the kind of “gasp” the series probably wanted to. In fact, by the time the final reveal arrives, you might most likely be relieved that there are no more episodes of this amateurishly made series. A 2 hour movie would have sufficed. Even Nicole Kidman and the rest of the cast’s acting chops does not help much in giving heft to it. If you came expecting a Big Little Lies like complexity, you will be disappointed. Just dumb. Highly NOT recommended.

A slow burn if ultimately statement making, The Witch is a superior thriller movie that deftly handles suspense and horror without falling back on cheap genre tricks. Seemingly inspired by the Salem Witch Hunts of 17th century New England, the movie not only remarkably recreates set pieces of that time but also creeps along as if time itself had slowed down. It’s a slow motion spiral down towards total insanity that would have you gripped in ambiguous narrative so that you are never sure what is being told or shown. That is underlined by the excellent actors who don on well fleshed out characters, even sticking to an old form of speaking english which adds to the sense of reality. The cinematography and natural lighting both indoors and outdoors pull you into the scene moment by moment. Never is there doubt that the characters are truly out of control of their situation. The direction and screenplay is tight, focused and economic, with no room to take your eyes off of the screen. And just when you think you know whats going on, the movie plants itself squarely in horror territory. At the same time, holding up a case for women’s liberation. This movie is in a league of its own. Recommended for those not looking for quick fix, jump scares or gore.

A satire wrapped around the true story of an American stock salesman, this movie is a tour-de-force of feverish direction by Martin Scorsese and a no-holds bar performance from Leonardo DiCaprio, all elevated by a screenplay that never takes a break from a non-stop roller coaster of a ride. The movie is a bittersweet indictment of the American dream delivered in the form of a raucous raunchy comedy. It would be easy to mistake the movie as a judgement on a particular individual’s actions and of those around his orbit until you begin to realize what you see on the screen is in fact a mirror being held up to us.

A modern day high stacks power-play that finally has the guts to go all the way and then some. A slick design, very good acting, a tight screenplay and a supremely efficient direction that will deceive you into thinking where it’s all headed while wrapping you in a sneaky feeling that it’s going to blow past your expectations. Not for incels or misogynists.