Rohan Ray

THIS IS ALL ABOUT TIM BURTON; this movie right here is all about why we all love Tim burton. This was sooo dynamic in every sense, from showing me a world full of imagination of a 7-year-old child to life parallel life of a seriously devasted old individual, from dark comedy to some real pleasures that are very subjective as an ethical issue to the world, from so many famous inspirational scenes of other movies to this movie is the absolute starter of a mindblowing career of time burton. This 6 mins right here had all the trailers of all the upcoming future projects of time burton; this movie was more like a dream that he saw one night that had all the stories in it. last but not least, the narration by vincent price was so intimidating as a whole.

Sai Pallavi notched the whole virtue of womanhood through her absolute raw & strong acting. The best thing about Gargi was that it was not all about women's empowerment; it was all about the required empowerment of the whole idea of nurturing a woman and so many other things. GARGI - meaning A woman who is well learned and the movie Gargi was can be the best definition for this powerful word. I will vouch for this movie till the last breath of my life by just talking about how well-versed the whole script & screenplay was of this film, from capturing a Learned woman to showing how a woman can adequately establish their knowledge with the experiences, observation, and through all the perseverance. Director just didn't show me all the different types, personas, and orders of women and womanhood, But he also showed me the same forever gender possible. This movie was never biased; it was always so properly balanced for every character and their understanding of the situation, creating a different intensity. Making a mystery legal drama always needs a lot of work and focus but keeping an essence of thrill in it throughout the movie, ahh, that right there, my friend, needs to be given a standing ovation, and this film deserves it. I just said that Sai Pallavi showed the whole womanhood because she achieved it..... Her way of dialogue deliverance, her eyes, her stance, her expression, and every movement and detail she delivered on the screen presented every possible emotion of a girl, woman, lady, or human of any gender. The handheld camerawork was the best way the director could have evoked all those emotions from her acting. But her flawless acting was not just the performance that made this movie so fantastic; it was the supporting characters that mattered more to me. I loved how every person in this movie tried their best to be as natural as possible in those reels. The moments when the flashbacks of the protagonist and the main case were shown, the sudden transition in the sounds, lights, and intensity was something that hit me so hard; it captivated my adrenaline. Keeping every scene so real made it much harder to digest as a viewer, and the paradoxicality in the case that was just visible to us made it so hard to actually learn that they can't do anything about the same for us. The color grading and decoding were always there in every scene possible; for me, it never disappeared; it was there coexisting for us to get more excited. The way this movie played with the bg music and synced it with the expressions of the actors was just like a gem carved out, and I felt that whenever it was being played. The best example of this is the last scene of this movie: When Sai Pallavi comes out to the police station. The song escalates more and more to make us feel how we all were so blind and submerged in a concept or idea that we never thought of this possibility; the shallowness in her eyes made me feel mocked. Still, it was also mocking the system and everything around human life, and as the song when to the last step of high note, the sudden breakdown of the character and the sudden change in the note made me feel so broken. Ohh god, this movie, I tell you!!!! I want to talk about many things that made me clap for this movie, but I also don't want to give it all out. This movie has a lot of answers and questions for us.

As Fast as bullet Train, the aura was as smoky and sexy as the actors, the screenplay was as rushing as the adrenaline in my veins, and the song selection was as catchy as possible...This movie had everything that was unexpected from it. I don't know where to start or from which character I should begin to; every actor had over-accomplished the character requirement; they all just outshined what the director and the viewers expected. Brad was just so casually perfect in his character that everyone is just going to get awestruck, Aaron's perfection in the timing sync between the smoothness of his accent and his puns, Brian was just a character that just enhanced everybody's joke, I would say he w the one to give life into this movie. I think joey just discovered her own different diversity of expressions through this movie; Hiroyuki and Sandra were jus lovely in their breathtaking aura. Besides this all, I can't believe how vast and Gala the cameos were. YOU JUST NEED TO WATCH I to experience it. From having such a tight grip on the balance between comic timing with the enthralling screenplay to till the songs on the back, my heart was just pumping so fast throughout the whole movie. You will not feel as if the jokes were dumb; it was kept subtle and also metaphoric in a way as this whole laughing at something is itself a subjective thing. This movie was an excellent fun-packed experience; It just needs to be experienced just for the sake of how great the direction and narration of this movie were. The whole thought of capturing every scene through the perception of a bottle or any other minute detail, how `cool the entire concept was, and the editing. This movie was too dope to for all of us,

As eccentric as the legend himself was as eccentric as the movie, but just for the last 1 hour of it. R Madhavan worked on a very important project for which I would say the world will always be grateful. The different thing about this movie is that it tried to be extraordinary, never tried to be usual patriotic. But because of disproportionate targeting of being a very significant and solid connecting movie, it lost all its taste in the first half. The thought of showing the backstory was critical, but the way this movie did it was again very expected from what was established in the trailer. The presentation of the sequence of events had too many unrealistic directorial touches, and too many touches can make anything weird. This movie should have just tried to be based on a particular part, like the absolute emotions or the moments of his life could have been the base topic. Still, as it tried to fit in all the versions of the character, and that's where it didn't achieve the required character build-up; it just earned hiking of emotions in the viewers. I loved how the movie's last hour tried to be on one base of his struggle. This was the part where the movie kind of connection with its viewers. I would say if the Rocketry were released as a Series, then this plotline could have worked well with more detailed writing; if not as a movie, just an intricate part of the last 1 hour could have worked out better and had given us a better experience. I will surely agree that this movie did make me weep too. R Madhavan was doing good acting as a wine; as the movie gradually progressed, his getting inside the character's body just got deeper; I am pretty sure he felt it too. His acting as a suppressed and defamed old human was so on point, he was just made for this role, and he was the person who made it all happen; what an irony. Talking about Simran( her wife in the movie), how great she was with part of being a supporting actress and as a support system in the film. I can understand that in real life, Mr. Nambi Narayan would have faced ten times for the effort, but this movie was a bit on its track to achieve that as a whole, and it succeeded. I don't know about the Hindi version, but the thought of casting Suriya as the cameo for the interview was needed; the Tamil Version of the movie>>>.

The Ugliest truth about Bollywood Cinema Industry is that this movie never got the appreciation of anyone's eye. My heart gets pumped up with distress. Why didn't I come across this movie ever before? The film is as ugly as our society; it is as ugly as the whole world, as ugly as our minds, and as ugly as our inner soul. The writing was so so excellent and vibrant in its thoughts; the base of the story was so lost in the characters' dirty work that it was hard for me to rewind my thoughts and digest what I did I just saw in the last scene. The Story got uglier; the truth got more hideous, and the character build-up got uglier and uglier. I mean the way it captures such a sensitive matter and then plays around it sideways. I mean, if I look at the whole story plot as one arrow, I would say that the characters and their mind were the air that was manipulating its direction, and this air was also using the viewer. Amid this increase in chaos, obsolete thoughts, unnecessary clues, and so many different disturbing truths, this movie managed to keep the mystery increasing with every second. As a viewer, the thrill was to watch how realistic this movie was. From the first FIR scene to the last second of the film, I was constantly shocked at how Anurag Kashyap captures the real & disturbing virtue of our surroundings, which we all are pretty scared to talk about. Ugly would be the best creation by Anurag Kashyap. Ahhh, it is so hard for me to choose what can be his most incredible creation. If you concentrate on every small detail that was happening in the movie, then you would surely love how scary we are, like how the whole psychology of greed, fear, ego, and its reverse works around always with us. Anurag just kept it too real for us, too real. This movie, my friends, is just an art of how you can manipulate the viewers. This movie is an ART of how ugly we all are!! If Anurag were the Brush who made this whole art, then Ronit Roy would be the colors, because I don't know, without his mind-blowing acting, how this would have been this movie! Ronit just did what he is admired for, with more intensity and a ferocious aura. But it wasn't just him; Vineet, Girish sir, Rahul, and every other actor gave their 110% for this movie. I am so proud that This movie was made.

Death Parade wins above every emotion possible for humanity to feel; it surpasses what we ever can think of. The richness of the base concept of the series was touched in so many ways; Even though being a 12 eps series, it still creates a whole different world of its own. I could have never imagined being so invested in a series like this. From the 1st ep, I fell in love with the story, that how it managed to capture all my questions that have been cluttering inside my mind till now or the thoughts that have been there inside me which I never touched upon and didn't realize that how important were they to me. Each episode had a severe intention of telling us a tale about how we craft our lives at each step, how all of our memories are some kind of deja-vus related to what we want to do further or wanted to do at some point in time. Every ep not just presented a different virtue but also another state of life with a heavy purpose of existence or death hanging with it. Death Parade hypnotized me to believe that story writing like this can never be recreated ever, and I do feel that. In every scene, it made me think that this eps is far better, or it made me connect with millions of lives out there, and I think this was all able to be achieved only because of the perfect and elegant writing. I fell in love with the writing so much because how every story was so unique to me. Even though I had experienced them before, the circumstances were plotted in such a remarkable way that they surpassed every possible thought process or philosophical level. The dialogues were the real essence; the selection of words was just exquisite. They made me revisit so many questions that I had raised or thought of; it was playing with all of them- At some points, it was making me ask the story so many questions for the way it portrayed those lives, but at the end of all it just left me with a ton of answers and perceptions. But, I still have many questions with me; they aren't because of any plotholes, but because of how this series connected me with every possible reason for humanity's existence. At this point, I don't really know what makes sense out of what I have written, but I just want to say Death Parade catches those emotions with its stories that were never touched. P.S- Loved how this whole series was so visually identical to the OG- Cowboy bebop and had some essence of Paranoia Agentin it. The defining eps would obviously be the eps-8th and 9th; the power and intensity it gave birth to are unimaginable.

Ghatak used to have a whole different algorithm going on in his mind while making any movie or any scene, and I think that algorithm will never be cracked by any other artist. Subarnarekha- The Golden Thread represented something very sacred, a golden dream of having what we really desire. But Ghatak's narration always has very harsh and realistic turns in it which makes the movie/story a tremendous suffering ride, which is more beautiful. The poetic way of cinematography in his movies is what I will always strive for. Subarnarekha had this whole different lighting and camerawork which made it more connecting for the viewers. The whole movie looked as if I was alone in a theater hall and the Actors are doing their job on the stage. I really can't imagine how he takes the best performance out of all his artists in the movie. Madhabi(Sita), was the real goddess of this movie. The pain in her singing, the love, and fear in her eyes, and the anger and agony in her heart made her performance so flawless. Even though I haven't seen any of Abhi Bhattacharya's acting before, from what I saw his performance as the character Ishwar in this movie is not just a career-defining for his life but also a very defining performance for the Bengali Cinema industry. I can't say how brilliantly these two actors had held this movie. Talking about writing, I was again in wonder how did they achieve that perfect cycle in that story. Like every other movie by Ghatak, this one also presents to us how the evolution through the times of Independence, industrialization, Economic surge, etc had so many different types of impacts on the lives of Indians and how they all are connected, and this movie ponders upon so many other aspects as the dynamics among the character is so close yet so tough to understand. God Forbid Ritwik Ghatak for giving us so many reasons to fall in love with Cinemas.

Not at all a good Teenage story with mixed Superpowers; that's CRYSTAL-clear. The Stoy was so distorted throughout the whole series, trying to fit in many things but was unable to make it all together. About the representation, which they were doing great and but in that also they were trying to fit in so many things, and that is what was making the plot fade away more, trying to click upon typical Asian families/Pakistani Families life story was what they tried too, but were both successful and unsuccessful in different aspects and scenes. Imaan, the protagonist, was also trying so hard to play the teenage girl we all will relate with, and she was trying to achieve it, but the matter of how hard she had to do to achieve it. Her acting needed to be natural, which was where she lacked in every scene. About the side characters, I felt it was just her father and Nakia who did an excellent job besides them; every other character was keeping up with the plot. The Last episode was so fast and so different; it looked as if they were so tired of writing the story and just skipped 2-3 eps of understanding in between. Throughout the episode, I felt something was missing in those 1st 5 episodes, but after I saw the last episode...I would say they were far better. Besides this, the only good thing about the series was how artistic and beautiful it was, and the other thing was how real they kept the ethnicity and the thought of it for the sake of how a large number of people would connect with this series, and I am pretty sure a lot will. P.S. - Marvel did so wrong with Bruno.

Ray again gave an evergreen, realistic story that will always be as strong as it was on the first day of its release. Mahanagar is just another piece of art by Ray that talks about so many problems which will remain among humans forever, but it feels more promising and surprising that he was able to narrate such a story into a movie in the time of 1960s. There was a different type of rhythm in this film, which was there until the last moment. Ray's most significant challenge to the cinema industry is that his movies are made for every age group; every person aged between 5-75 will enjoy them. He has this multilayering system in his film and characters, making it more admiring for every viewer. The profundity in his understanding of a particular scene goes so deep that it is very understatement that he is always successful in achieving par excellence. This film was not just surrounding how human lives and their problems are connected to a big city. Still, it also kept the sanity by showing us so many different views of different people of different mindsets and how they had that mindset. The factor of Mindset and opinion in this movie was something on which a complete discussion can be arranged. Like every other cinema by Ray, this one also stands very much on top for studying how impactful cinema is and what factors in a scene make it stronger. Madhabi and Anil have always been very natural actors and very gracious. But in this film, they took us on a different journey and presented us with another form. And I will always admire how Madahabi uses her acting through eyes and her very silent glances, which have so many feelings.

Edgar's Film making has always been very significant, But Last night in SOHO will be that artwork for which he will be vouched upon in so many upcoming decades. He took many inspirations from different movies, and directors combined them into one, and I think that made this movie very upbeat and somewhat downbeat for it too. I think the camerawork and cinematography were so insignificant that I am no one to even talk about it. I JUST LOVED IT, and I think it would have been nothing if Mackenzie and Anya weren't there in this movie with their absolutely stunning performances. The three things I loved the most about this movie were - Mirrors, Music, and Mackenzie. The last time any director did magic with mirrors was in the movie Contact, and after that, I think it was this. Music- How can anyone of us even hate the jazz music of those times!!!! And the last Mackenzie- She was the absolute stunner of this movie. I thought she would be nothing in front of the great Anya, but oh my lord, she embraced the beauty of fear and curiosity and combined them with her spine-chilling acting. It was all her passion to become something and give a performance for which she would be known for decades. But, Anya didn't let her steal the show( as an actor and as the character Sandie); her aura was so louder than her acting; it was just something she pulsated out, which gave us a whole different experience. Talking about the story, the story was a bit predictable and was a bit handy at some points. The probable reason behind this might be the predictability of the characters' dynamics in this movie. The Dynamics of character buildup and its intertwining relation looked very confusing, but it was all in front of our eyes. Edgar played that card of giving out some little details and hints to the viewers but also managed to keep it hidden at the same time. Overall this movie was just a ride of colors, outstanding lifting, and beauty with a lot of hitchcocky thrills.