Excellent cast. Superb directing. I clearly see, on the screen, the money budgetted. Screenplay and working script are like "siamese twins," in a professional "dance," that's "poetry in motion." Changing lanes. After I graduated high school in June of 1968, I embarked on my desire to work in front of the camera, in the moving picture business, in NYC and/or Hollywood. I got my first job at ABC Studios NY and Hollywood. And began networking at the New York City complex. Making sure to enjoy the journey. Just in case it doesn't happen as fast as my youthful zeal expects, I had in mind, plan B etc. I eagerly began to "knock on every door" of the creative arts. Both, performing, modeling, video etc. The NYC trade papers, each monthly issue, I perused like Sherlock Holmes looking for Moriarty, his arch nemesis. An ad caught my attention. This door opened. WBAI late night radio was looking for additional talent to fill more open time slots. I stopped by and clearly manifested real interest. I did a movie review show from midnight to 12: 30 AM. It gave me entre to red carpet events, My id got me into theaters used by the New York Film Critics Association at their private screenings. I stepped through another open door. Work as a movie "extra." I was able to fill the back of my "headshot" with a full list of work. On every film that I was hired to work on, the assistant and/or director, picked me out of the crowd. Moving me to work on camera, close to the star(s). I made the most of every opportunity. Ultimately getting into Joy Todd's background players talent book. The NYC edition.