H KC

Jennifer looks so bright and youthful that I could tell this was an older film, but I actually had no prior knowledge of it at all. I was overwhelmed by how chaotic the story was—I ended up watching parts of it while skipping ahead. What an absolutely incomprehensible movie! One thing I can say is that I’ve been in a relationship with someone who, like the character here, had no boundaries and welcomed everyone indiscriminately. Watching this brought back the discomfort and emotional strain I felt at that time. Jennifer is stunningly beautiful, and honestly, that was the one saving grace for me. It’s a very unusual film—not something that can be easily judged or rated. But I probably wouldn’t recommend it to anyone. lol

I am one of the mothers who, like Leda, has also fallen into the depths of a parenting crisis. Fortunately, I haven’t run away, but there have been many moments when I have felt the impulse to do so. There were many scenes in this film that were painful to watch because of how real they felt. I didn’t fully understand why she chose to steal only the doll, nor why she gradually became the target of Nina’s family’s attention. However, throughout various scenes, it seemed as though she was living in a constant state of guilt and fear of punishment — yet somehow also accepting it. Raising a child who is still emotionally and physically immature is a tremendous trial, even when you love them deeply. The sudden danger, unpredictable outbursts, or even being hit — no matter how small the child is — can be deeply shocking to adults. I also deeply understand the pain of feeling that your own vast potential is being held back, as though your family becomes a weight pulling at your ankles. Endlessly postponing what you want to do with your own life is not easy — it requires more than strength. Olivia portrayed this difficult role with remarkable depth and experience. Jessie, despite not having had children at the time, played the young mother beautifully. The shocking climax felt abrupt, but I believe it captured the layered realities of someone who feels they are not living life the way they hoped to. At the very least, I felt a raw, stinging sense of recognition in my heart.

I’m not sure if this kind of story was mainstream in the 1980s or 1990s, but it seems to be set in a small, somewhat fantasy-like private special school. The film depicts a single day: for some reason, there’s a film crew shooting on the premises, a prominent political figure visits, yet the usual turmoil among the resident students unfolds as always. Then, quite abruptly, a group of people from the board—perhaps?—arrives to announce the school’s closure. When I describe it like this, it might sound like a completely chaotic story, but strangely, it’s portrayed quite skilfully. The script is imperfect in an almost deliberate way, but the solid camerawork and the filmmakers’ clear creative conviction hold the film together remarkably well. Although the settings are limited and the atmosphere somewhat confined, it never feels awkward—rather, it adds to the film’s cohesive tone. The core of the story is about the crushing weight of responsibility that goes beyond what a handful of people can handle, ultimately leading to a kind of death by overwork, despite their desperate desire to help. Perhaps because I wasn’t feeling well while watching it, I felt a bit dizzy during the segments filmed almost like music videos. But overall, I can say I really liked this film. Every actor delivered a truly outstanding performance.

I truly loved this series. The unique modern interpretation of Greek mythology was brilliant, and the casting was nearly perfect. Every actor was captivating, and I adored them all. Billie Piper was an outstandingly authentic prophet, and Poseidon in his kimono looked just like Shintaro Katsu. Ariadne was a wonderful character as a princess, and, anyway, there’s far too much to write here. None of the actors felt like they were cast for the kind of forced, tokenistic diversity we often see today—rather, the diversity felt as natural as in our everyday lives, and every single performer shone like a precious gem, no matter how small the role. The balance of the story, the impeccable casting choices, and the way everything came together made this a true masterpiece. That’s why it’s such a disappointment that the story won’t continue! I became such a big fan that, of course, I even got the cheap Casio gold watch.

I love it and have watched it many times. Both the casting and the irony-laden story were fascinating to me. The climax scene is probably one that many people might find disturbing, but when I rewatch it, I usually just skip through that part. I also really like the choice of music.

I watched it twice. The way the story develops, the many meaningful characters, the brilliance of the cinematography, and the distinctive use of red were all masterful. I think his talent—both as the writer of this story and as an actor—is truly extraordinary. However at the greatest climax, the confession on stage, I honestly felt completely at a loss, just like the audience there, even though I had been following his life. As his confession revealed, he mistreated himself in pursuit of what seemed like an illusory chance, and he failed to act rightly. And afterwards, his life remained entirely derailed. In fact, the very fact that he kept living in his ex-girlfriend’s home, relying on others for support, already showed a deep-rooted dependence and a narcissistic streak in his nature. That said, we cannot always take the “right” actions or think in the “right” ways that dramas, films, or school lessons teach us. Returning to someone even after being raped, still trying to possess that person, being unable to face someone who truly loves you—these are struggles many people carry within themselves.

I felt it was an enormous waste. I even wondered if someone among the executives had arbitrarily changed the ending. The core of the story—whether this was the paranoia of the main character or where the real truth actually lay—was so crucial, yet it ultimately led to a very cheap, disappointing conclusion. It ended up being one of those “Wait, what? Why??” finales often seen in British TV dramas. But up until that point, the drama was truly, truly well done. Paula was right to the very end, and Ellen was driven mad by her obsessive jealousy. The audience was skillfully manipulated, yet this ending was extremely disappointing. The key characters turned out to be completely irrelevant, and Ellen’s inexplicable obsessive pursuit makes no sense in this conclusion. I just wish the scenario had been more carefully developed and refined.

It is not too bad. I can see the concept of this film, and it is good. I am just surprised that many people sent him fan letters at that time. That's a horrible fact. Anyway, I don't think it is fair that only one person received an award for this film. All the actors are superb, not just one.

When I was the main character's age, I saw a reflection of myself in her, not in terms of physical attractiveness, but in the stage of life we were both in. I was young, eager to connect with someone, yet hesitant to fully commit to a relationship, especially with someone entirely new. There's always that nagging doubt – is this person genuine, or could they potentially be harmful?Watching the film, I couldn't help but wonder about its purpose. Did the protagonist really lose his life simply because he got involved with a much younger, attractive, and affluent woman? Is it meant to serve as a cautionary tale for both young women and men, or is there more depth to the story that I'm missing? I found myself feeling sorry for the protagonist, who ended up losing his home and job due to the naivety of the young woman's paranoia."

I absolutely loved it. There's no waste at all, and the entire cast was amazing. I got so immersed in this fantastic film that I forgot about time. It was great to learn about their culture without any artificial diversity. It feels absolutely real and natural. I feel like screaming, 'This story is superb!'