John Romansky

The Lady Vanishes in a Gaslight Panic Room. It's terrible when you root for the protagonist to be killed to end the mediocrity of a stellar cast. Guy Pearce's wife is the woman who goes overboard and her impostor is meant to sign a fake will that doesn't disinherit him. The End. I've spared you the agony of watching this absolute tripe.

Incredible that a movie this cliched could be made in 2011.

Dear God make it stop. Affectless, humourless, nonsensical script, and direction that wastes a lot of talent.

A solid, well-acted series that is entertaining enough to allow you to laugh at the risible plot holes but keeps you watching. By the end it's a Swiss cheese of ridiculous scenarios, but the character dynamics and interactions make it worthwhile. Is it original? No. Does it borrow everything from 24, Designated Survivor, The Diplomat, and contemporary French politics? Yes. Is it a litany of 'wokeness'? Hardly, unless you've missed the last twenty years of Western politics.

A confused mess rescued only by its production values. The ending hinted strongly for a sequel, but it won't be with this team.

More $ spent to underwhelming effect. Car chase! Helicopters! Uma Thurman scowling through 6000 years of period cramps! Maybe the worst part is that it’s a setup for a third instalment. Ugh.

I spent most of 2 hours reading the reviews for this appalling garbage. AI should definitely replace the screenwriter and director. Utterly unbelievable and more continuity holes than a Swiss cheese. I was watching for the action but the rest made for a truly painful experience.

It's not even laughably bad, just boring. What a waste of Waitz and Liu.

A well done meditation on parenthood and attachment. Excellent performances from Emilia Clark and Chiwetel Ejiofor.

A superb dissection of 50s Britain. Brilliant cast and performances.