This series is carefully directed toward a specific sense of humor, somewhat along the lines of the Christopher Guest/ Michael McKeen mockumentaries mixed with a finely-tuned sense of the Hallmark buffoonery. It did not leave me on the edge of my seat since it faithfully follows the story line of The Woman in the Window, the trope-laden book and movie of which were ripe for this kind of spoof. The series seemed like the side comments your irreverent friend would make while watching The Woman in the Window. It crossed many lines of decency in line with the humor and only the last episode went even too far for me. All of this ridiculousness is the mutant offspring of Alfred Hitchcock’s Rear Window. I suppose he’s rolling (with laughter? rolling his eyes?) in his grave.
