Omkar

I had to speak up about one aspect of this film. Showing brutal scenes of children being killed is absolutely disgusting and completely unnecessary. It added nothing to the story and felt like it was there just for shock value. The protagonist is another overdone stereotype—a guy with a beard, always smoking, wearing a fancy blazer, and surrounded by pop beats every time the camera focuses on him. It’s nothing new. The story itself is predictable, with the same themes of money, violence, and revenge that we’ve seen a hundred times before. What shocked me the most was the inclusion of children being killed. I didn’t even know this kind of thing was allowed to be shown in films. It’s disturbing and crosses a line. Overall, this film felt like a mix of KGF, Animal, and The Kashmir Files, especially in how it handles the whole “killing families” theme. I know some people might love it, but honestly, if anyone enjoys watching brutal scenes involving kids, they really need to think about why they’re okay with that. I’m totally okay with excessive violence involving adults, but with kids, it’s completely overdone and should be illegal at this point. Hollywood never does such things, despite being cinematically mature. The director who allowed such scenes to be shot and the VFX artists involved seriously need help. For me, this movie was just too much. It’s not creative or meaningful—it’s just violence for the sake of it.

It's a heartfelt sci-fi drama that offers a unique blend of post-apocalyptic survival and emotional storytelling. Tom Hanks delivers a compelling performance as the titular character, a man determined to safeguard his canine companion in a desolate world. The film's strength lies in its exploration of human connection, even in the absence of other humans, through Finch's relationship with his dog and the robot he builds. However, the pacing might feel slow for some viewers, and the film's predictability could detract from the experience.