Adrian JC

The longest, most anger-inducing, pile of drivel I have ever wasted an hour and a half of my life watching. No point, no meaning, no insight, no learning, no message, and no eye-opening to ANYTHING at all. Please, please, PLEASE, do NOT watch this.

Acting is great, but the laughs are few and far between. I think because I will never understand how they thought it appropriate to make a comedy about someone cursed to die.

Just awful. Formulaic, unfunny, and with acting about as wooden as wooden can be. Not a great comeback platform for Diaz and pretty standard for Foxx. No chemistry, no laughs, and no depth to the characters. The only, ONLY surprise was that the bad guy turned out to be an American, when there were English characters in it. Maybe Gordon and O'Brien have been living in a box for the last forty years...

There is so much wrong with this movie I really don't know where to start. Okay, I do - with the beginning. The characters are obnoxious, the premise is ridiculous, there is as much depth to the hunted characters as there is to a sheet of paper, and there's no scene setting, no preamble, no build up, and no possibility of investment. Within a few minutes the plot leaves you in no doubt this is all about showing gratuitous violence without justification, apart from the moments where it's unclear whether the film is a comedy or not. Yes, some scenes are THAT bad. Don't waste your life watching this, it's utter ****.

Dreadful, right from the get-go. The decision to film the opening sequence in the style of an old fashioned hand-drawn cartoon could only have been made worse by filming the entire thing in black and white. Didn't work for me.

Every so often a movie comes along which magnifies the differences not only in what is acceptable in comedy but also simply in what is humourous and what isn't. This movie does both of those and goes a step further - it exaggerates and then draws huge rings around what appeals to people either side of The Pond. If you live on this side you'll probably find absolutely nothing in the trailers or as much of the movie as you can stand in the slightest bit amusing or entertaining. Disturbing maybe, but not funny. If you live in America, you'll no doubt be determined to find it funny, even against your better judgement.

This was advertised as a 'thrill ride' It isn't. It's so slow I was more interested in how the pig blood on the big window kept changing colour.

The acting in this was even more wooden than that of 'Breaking Infinity' and that movie featured wooden characters chiselled from a block of wood cut from a tree that had been laminated with real wood. Wooden.

Wow, this is a first - a movie with so many levels, that can succeed so magnificently in some, yet plunging to such inconceivable depths of failure in others. For example, suspense and tension are built so well, along with confusion and disbelief (the good kind), that when they rub shoulders with disbelief (of the bad kind), anger, frustration and plot holes the size of which I expected not only Michael Douglas to disappear but the entire city too, I was left just speechless. And angry. By the end of the movie, I actually wished I hadn't watched the thing.

"I can handle the despair, it's the hope that kills me." Every so often a TV series comes along that strikes a chord, rings a bell, twangs a nerve - and this is one of them. I actually struggle to find the words to articulate how much I loved this. The Norwegian series 'Ragnarok' is one of those dramatisations touches you. It's deep, resonant and heartfelt, it pulls at that inner you in all the ways you could hope something as simple as a TV series could. It lifts, it challenges, it satisfies. All I can say is: watch it. I hope you enjoy it as much as I did.